"Nasimi"
— yakaimbwa na Sami Yusuf
"Nasimi" rwiyo rwakaitwa pa azerbaijani rakaburitswa pa 10 gunyana 2019 pachiteshi chepamutemo cherekodhi rekodhi - "Sami Yusuf". Tsvaga ruzivo rwakakwana nezve "Nasimi". Wana rwiyo rwenziyo rwe Nasimi, shanduro, uye rwiyo chokwadi. Mari uye Net Worth inounganidzwa nerutsigiro uye mamwe masosi zvichienderana nechidimbu cheruzivo chinowanikwa painternet. Kangani rwiyo rwe "Nasimi" rwakabuda mumachati emimhanzi akaunganidzwa? "Nasimi" vhidhiyo yemimhanzi inozivikanwa kwazvo yakatora nzvimbo mumachati epamusoro ane mukurumbira, senge Epamusoro zana Azabhaijani Nziyo, Epamusoro makumi mana azerbaijani Nziyo, nezvimwe.
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Azabhaijani
"Nasimi" Chokwadi
"Nasimi" yasvika 81.7M yakazara maonero uye 788.9K inoda paYouTube.
Rwiyo rwakatumirwa pa 10/09/2019 uye rwakapedza 292 mavhiki pamachati.
Zita rekutanga revhidhiyo yemimhanzi ndi "SAMI YUSUF - NASIMI".
"Nasimi" yakaburitswa paYouTube pa 09/09/2019 14:00:13.
"Nasimi" Lyric, Vanyori, Rekodha Label
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DESCRIPTION
The lyrics of this song come from the poetry of the 14th century mystical poet Nasimi, who was one of the first literary figures to compose in
;The composer sets an ecstatic mood in this new piece in Shur mugham that evokes Sufi ceremonies through high-energy percussion and dazzling avaz
;The musical narrative is majestic, powerful and intensely beautiful.
Performed live at the Opening Ceremony of the 43rd UNESCO World Heritage Committee held at the Heydar Aliyev Center in Baku, Azerbaijan.
CREDITS
Musical Director & Composer: Sami Yusuf
Creative Producer & Director: Andrei Boltenko
Poem by ‘Alī ‘Imādu d-Dīn Nasīmī’ (“Nasimi”)
English translation:
;Mohammad
;Faghfoory
Soloists:
Mugham Vocal: Tayyar Bayramov
Ashik Vocal: Samira Aliyeva
For full list of performers:
Mixed & Mastered by Vishnu Rajan @ Andante Studios
Video editing and post-production by Omar Al-Balushi @ Andante Studios
Lighting Designer: Yury Krasilnikov
Set Designer: Denis Lishchenko
Video Content Designer: Alexander Yaichnikov
Video Content Production: Raketa Media
TV Director: Alex Boltenko
Director of Photography: Andrei Kvardakov
Executive Producers: Sergey Gromov, Elruz Fatiyev
Event Production: Peachline Advertising
Commissioned by the Ministry of Culture of the Republic of Azerbaijan
NOTES:
*An allusion to the saying of the Prophet (a hadith qudsi wherein God speaks through the Prophet): ‘I was a Hidden Treasure and I longed to be
;So I created the creatures and they came to know Me.’
**An allusion to the Four Rightly Guided Caliphs
***An allusion to the Five Ahl al-Kisa (People of the Cloak: the Prophet, Ali, Fatimah, Hasan and Hossein) and to other revered figures
**** Names of tribes/families
*****An allusion to the bridge (al-sirat) that human beings must cross after death to enter Paradise.
MORE INFORMATION:
Imadeddin Nasimi (1369-1417), an Azerbaijani poet, philosopher and sage, was the author of the first Divans (collections of poetry) in the Azerbaijani
;Considered as one of the greatest mystical Turkic poets of his time, he also composed poems in Persian and
;Although few details are known about his life, his passionate poetry shows his deep knowledge of Islamic poetic traditions as well as a genius for composition, and it shows a depth of knowledge of Islamic, particularly Sufi, intellectual teachings that indicates that he must have had training in these
;His gift as a poet was instrumental in conveying Hurufi Sufi philosophy to the Turkish-speaking population of Anatolia, a philosophical perspective that is still echoed in the certain Sufi orders today.
The poem in the composition, ‘Nasimi’, has elements of a tradition of ecstatic sayings that emerge from a deep inner state of knowing, an overpowering spiritual state that is often
;Ecstatic sayings such as those of Mansur al-Hallaj, Bayazid Bastami, Nasimi, and others, need to be interpreted in the context of the mystical vocabulary of their
;And it is necessary to understand the religious forces, the social and political life, and the whole culture of the Islamic world within which these figures lived and
;Without a profound understanding of this context certain of their words, which on the surface can resemble infidelity, are easily misconstrued.
In this poem, Nasimi returns repeatedly to the contrast between the ‘two worlds’, the physical and
;By naming opposites—‘I am the old, I am the young’— he points beyond them to unity, to tawhid, to the divine unity that is one of his principle
;For Nasimi, the signs of God (ayat Allah) are found throughout creation, but they are not limited by this realm alone.
Read the full Lyrics here:
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